Get Exclusive Insights on Music, Film, Books, Media & Culture by Subscribing to our Magazine.
Reject Finance Bill Protests: Impact and Aftermath in Kenya
By George Robert Asewe
Founder The Music Advocate Africa
#BreakingTheSilence
“Facing the music” is an idiomatic expression that means accepting the consequences of one’s actions, especially when they are difficult or unpleasant. It means taking responsibility for what has been done, confronting a challenging situation, or dealing with the repercussions of a decision or action. It can also imply enduring criticism, judgment, or punishment for one’s actions.”
In Kenya, a wave of creative expression swept the nation during the Reject Finance Bill Protests, where music artists and cartoonists played a pivotal role in amplifying the voices of dissent and shaping the narrative of the movement.
Betrayal in the City by Kenyan Cartoonist Ozone published in The Star Newspaper Kenya
The protests, triggered by the proposed Finance Bill by Members of Parliament, saw demonstrations erupt in various parts of the country, including Nairobi, on Tuesday, June 25. Amid escalating tensions and clashes between protesters and security forces, artists seized the opportunity to convey their messages through music and art. Music by leading Kenyan artists like Eric Wainaina and Juliani was used by Gen Z protesters to galvanize the crowd and capture the essence of the protests. Many Kenyan artists have joined the campaign for a fresh new start in the creative economy.
The Kenya copyright industry is facing tough economic times, as many artists and rights holders are dissatisfied with the country’s copyright royalty system, which has been plagued by significant challenges for more than 30 years. Despite a conducive environment capable of generating billions in royalty collections, most artists struggle to rely on collective management of their rights.
Eric Wainaina’s “Daima” and Juliani’s “Utawala” songs resonated with the movement’s ethos, reflecting protesters’ demands and frustrations. These songs became symbols of resistance during the demonstrations.
During the previous week, nightclubs and party venues throughout Kenya were transformed into protest spaces. Thousands of Kenyans gathered to sing patriotic songs, chant slogans, and show solidarity against the Finance Bill. These music-filled gatherings served as a strong expression of collective dissent and mirrored the people’s calls for change. DJs played a key role in leading this movement at various live music venues in Kenya. Additionally, reports indicated that many Kenyans residing in America and Europe participated in protests held at Kenyan embassies and high commissions.
Get Exclusive Insights on Music, Film, Books, Media & Culture by Subscribing to our Magazine.
At the same time, Kenyan cartoonists utilized their artistic skills to depict the challenges, frustrations, and aspirations of the protesters. Their visual interpretations effectively portrayed the complexities of the demonstrations, shedding light on the obstacles experienced by everyday Kenyans while conveying themes of resistance and strength.
Caricature by Kenyan Cartoonist Ozone published in The Star Newspaper
Regrettably, on the historic Tuesday of June 25th, 2024, significant events transpired during the Reject Finance Bill Protests that resonated across the nation. The protests were ignited by the proposed Finance Bill presented by Members of Parliament, prompting anti-Finance Bill demonstrators to flock to the streets in multiple regions, notably in Nairobi, the capital city.
Cartoonist Gado Caricature of Police and Gen Z Protester published on Gado’s Facebook page
As the protesters vehemently demanded the complete rejection of the Finance Bill, tensions escalated rapidly. What started as a peaceful demonstration soon turned violent, with reports surfacing of law enforcement resorting to tear gas and live ammunition to disband the crowds.
The controversial nature of the finance bill led to a nationwide movement known as “7 Days of Rage,” serving as a collective outcry against the proposed tax hikes exacerbating economic hardships for many Kenyans. The Bill was passed. However, the president conceded and did not sign it into law.
Many professional bodies and industry associations including artist organizations voiced their opposition to the bill. Tragically, the protests resulted in the loss of several lives, with approximately over 31 individuals sustaining injuries. Reports from human rights groups and medical associations revealed that among the injured, 13 had been hit by live bullets, four by rubber bullets, and three by launcher canisters. The heavy-handed response from the police, coupled with the deployment of the military to aid law enforcement, only served to escalate tensions further.
Caricature by Kenya Cartoonist Ozone published in The Star Newspaper
In response to the chaotic events, President William Ruto condemned the protests as “treasonous” in a national address, expressing concerns that the discourse surrounding the Finance Bill had been “hijacked by dangerous individuals.” He underscored the importance of distinguishing between legitimate democratic expression and criminal activities amidst the unrest. Parliament was invaded and members of parliament ran for their safety from the protesters. Many MPs hid in the basement of parliament according to various media reports.
Numerous global media houses covered the Protests. In this video, CNN’s Larry Madowo explains the historic events.
Copyright Property of CNN
The protests laid bare the deep-seated discontent among the populace regarding the escalating cost of living and the government’s economic policies. The violent clashes between protesters and security forces raised alarm about the disproportionate use of force and its implications for civil liberties in Kenya. As the repercussions of the Reject Finance Bill Protests continue to unfold, the country stands at a critical juncture in its political landscape, underscoring the urgent need for dialogue, transparency, and a commitment to uphold democratic processes to address the grievances of the people and pave the way for a peaceful resolution to the prevailing crisis.
The fusion of music, art, and creative expression became a potent force during the Finance Bill protests, enabling individuals to convey their dissatisfaction, solidarity, and calls for reform in a powerful and captivating manner. These artists and cartoonists contributed significantly to amplifying the voices of the people, spreading awareness, and shaping the discourse surrounding the protests in Kenya.
Biography of Artists Featured in this News Article
Alphonce Omondi ”Ozone”
Alphonce Omondi, known by his pseudonym Ozone, is a Kenyan freelance cartoonist. Omondi’s cartoons have been published in The Star and elsewhere. He is the winner of awards, including the first place prize in the Hadaf Somalia International Cartoon Competition (2011)
Juliani
Juliani, whose real name is Julius Owino, is a renowned Kenyan musician, rapper, and social activist known for his impactful music and thought-provoking lyrics. Born on January 12, 1982, in Dandora, Nairobi, Juliani rose to prominence in the Kenyan music scene with his unique blend of hip-hop, rap, and storytelling that resonates with audiences across the country. From his early career, Juliani has been recognized for addressing social issues, political commentary, and advocating for positive change through his music. His hit songs, including “Utawala,” have become anthems for social justice and empowerment, reflecting the realities and aspirations of the Kenyan people.
Beyond his musical endeavours, Juliani is actively involved in various social causes and community initiatives, using his platform to raise awareness on issues such as youth empowerment, education, and inequality. His commitment to using art as a tool for social change has earned him respect and admiration both as an artist and a voice for the marginalized. Juliani’s artistry is characterized by authenticity, depth, and a dedication to amplifying the voices of the voiceless. As a prolific artist and advocate, he continues to inspire audiences with his music and activism, making a lasting impact on the cultural and social landscape of Kenya.
Eric Wainaina
Eric Wainaina is a prominent Kenyan singer-songwriter, musician, and producer known for his soulful music and socially conscious themes. Born on August 28, 1973, in Nairobi, Kenya, Eric Wainaina has made a significant mark on the East African music scene with his versatile musical style that blends pop, Afro-fusion, and African rhythms. With a career spanning over two decades, Eric Wainaina has garnered acclaim for his poignant lyrics, melodic compositions, and powerful vocal delivery. His music often addresses pressing social issues, cultural heritage, and the human experience, resonating with audiences both locally and internationally. Eric Wainaina’s breakthrough came with his debut album “Sawa Sawa,” which featured the iconic song “Nchi Ya Kitu Kidogo (“Country of the Little something”). The song became a rallying cry against corruption and social injustice in Kenya, establishing Eric as a voice of conscience in the music industry.
Apart from his musical achievements, Eric Wainaina is recognized for his involvement in various charitable causes and advocacy work. He has used his platform to champion positive change, education, and youth empowerment in Kenya and beyond. As a seasoned artist and cultural icon, Eric Wainaina continues to inspire listeners with his authentic storytelling, musical prowess, and unwavering commitment to promoting social change through his art. His influence transcends borders, making him a respected figure in the African music landscape and a beacon of hope for a better tomorrow.
Gado
Gado, whose real name is Godfrey Mwampembwa, is a renowned Kenyan cartoonist celebrated for his satirical illustrations and incisive commentary on political and social issues. Born in 1969 in Dar es Salaam, Tanzania, Gado relocated to Kenya where he established himself as one of the most influential cartoonists on the African continent. Gado’s career as a cartoonist took off in the early 1990s, and he gained widespread recognition for his cartoons that fearlessly critiqued political leaders, corruption, and societal injustices in East Africa. His sharp wit, distinctive style, and bold approach to tackling sensitive topics made him a prominent figure in the Kenyan media landscape. Over the years, Gado’s cartoons have appeared in various publications, including Kenya’s leading newspapers such as “The Daily Nation” and “The Standard.” His work has not only entertained readers but also challenged authority, sparked debates, and shed light on crucial issues affecting the region.
Beyond his artistic endeavours, Gado is known for his advocacy for freedom of expression and media independence. Despite facing threats and backlash for his provocative cartoons, he has remained steadfast in using his art to hold those in power accountable and to amplify the voices of the marginalized. As a recipient of numerous awards, including the Cartoonist Rights Network International Award for Courage in Editorial Cartooning, Gado’s impact extends far beyond the confines of his cartoons. He has inspired a new generation of artists and journalists to use satire as a tool for social critique and change, leaving an indelible mark on the African political and artistic landscape.
Get Exclusive Insights on Music, Film, Books, Media & Culture by Subscribing to our Magazine.
Discover more from The Music Advocate Africa
Subscribe to get the latest posts sent to your email.
