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AI Challenges For Africa’s Creative Future: Urgent Policy Needs AI Series by The Music Advocate Africa: Protecting Africa’s Creative Future: Lessons from the EU AI Act, Indian Case Law and the Path Ahead Africa’s creative industries are a vibrant force, driving cultural identity, economic growth, and global influence. From Afrobeats, to Amapiano to Nollywood, African […]

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In this twelfth installment of 13 Reasons Why Kenyan Music Creators Need a New CMO Legal Framework we discuss yet another important subject in music. We delve into Complaints & Dispute Resolution for Collective Management Organisations. The Role of Dispute Resolution Policies is discussed and we Explain why CMOs should have a clear Dispute Resolution

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Panga Sanaa Policy Dialogue Lessons for CMOs, Government, Rights Owners & Rights Users. WHY THE MUSIC ADVOCATE AFRICA SUPPORTS POLICY DIALOGUE FOR KENYAN MUSIC, FILM, VISUAL ARTS, BOOKS, FASHION, DESIGN, GAMING, ANIMATION & TECHNOLOGY. Recognition is warranted for @BarazaLab, @TheMCSK @PPMC_Kenya, @PartnersAPKE, @SarakasiTrust, @goetheinstitut Kenya @priskkenya @KIPPRAKENYA @Animationkenya @agmakenya @ADMIafrica @FikaFilmmakers @EAJAK1 @ Creative Sector

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Music rights holders such as musicians, song writers, publishers, producers, record labels, lyricists, composers, and performers rely on collective management to earn income whenever their music is performed in public. In Kenya this system has persistently failed resulting in a continuous blame game approach between music owners, users & the copyright regulator Kenya Copyright Board. In August 2021 KeCoBo deregistered MCSK, KAMP & PRISK. This is not the first time. It has become the norm every year.

WHY KENYAS CREATIVE ECONOMY NEEDS A NEW COLLECTIVE MANAGEMENT ORGANISATION LAW Read More »

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